In which IR’s penchant for absolute secrecy backfires spectacularly,
and they’re rescued by the unlikeliest of International Rescue
Agents, and they get to go into space, and Lady Penelope appears to
be taking stupidity-enhancing pills.
Things start normally enough. A World Television helijet descends in
time with some triumphant music. A reporter – not Ned Cook, he’s on
another network – is reporting on the scene below. He’s called Eddie
Kerr and he pops up a LOT during the show’s run, but most notably in
City of Fire (before the building went up in flames). Here he’s
excitedly telling his viewers that, for the first time in
“television history” they’re being allowed to film “the fabulous
Thunderbird International Rescue team in action.” Yes, Kerr actually
calls them that. You’d think he’d know to just call them
International Rescue by now, or perhaps he’s just had too much
coffee. This filming business really doesn’t sound like the über-paranoid
Tracys we all know and love, either. Anyway, Kerr promises viewers
the “first dramatic pictures” in a few seconds.
A sign tells us that this emergency is happening at the
‘Aeronautical Research Base’ and we see an ugly looking machine with
‘International Rescue’ emblazoned on the front. Regular viewers of
the show are getting seriously confused by now. Kerr informs viewers
that as this rescue is “fairly routine” there will be none of “that
wonderful equipment in use,” but he pinpoints something important
from the fan’s point of view, that it’s “not the equipment that
interests us…it’s the great guys who use it.” His enthusiastic and
rather sycophantic enthusiasm for International Rescue is worth
paying attention to. As we all know, the media, and the public, is
extremely fickle and at the mercy of public mood. As Kerr shoves his
way through the crowd to get a better look at the rescue site, we’re
told that a well has collapsed and that International Rescue were
“on the scene” even before anyone knew a man was trapped down it.
Someone called Joe (perhaps all cameramen in this universe are
called Joe?) informs Kerr that the International Rescue men are on their way back up.
Who could it be? Scott, Virgil, Gordon, Alan or even John? The
platform is winched up out of the hole. We see two men, one injured
beneath a blanket, the other is definitely wearing IR’s distinctive
uniform but wait – something is already odd. The sash colour is a
dirty beige and we still can’t see the man’s face. Weird.
Kerr is pretty curious too and wants a word with the rescuer, so he
leans in for a scoop. The man speaks angrily, “Keep back, give ‘im
some air! ,” which doesn’t sound like any of the Tracy brothers at
all. Kerr continues to gush that International Rescue have done it again and that
“another human life has been saved!” and he pushes the man in the
International Rescue
uniform for a word to the viewers. The man says grumpily, “No TV, no
pictures!” and no memo to that effect, apparently. As Kerr pushes in
closer, the International Rescue man swings round and snaps “I said, no photographs!”
and we immediately know that something is really, really wrong. As
the camera flashes, and the film morphs into a black and white
photograph on the front page of a newspaper, we’re left wondering,
who the hell is that guy?
That’s just what the real International Rescue team are
wondering. In a thoroughly baffled voice, Scott Tracy reads out the
newspaper headline, turning it into a question. “International
Rescue does it again?” His concerns are mirrored by Tin-Tin and
Jeff, who have their own newspapers to pore over. Scott continues,
“I just don’t get it.” Jeff agrees that it’s “kinda strange” but
tries to give them the benefit of the doubt. Tin-Tin is appalled
that the strangers have copied their name and uniforms, which Jeff
agrees is “unethical,” but he says that it’s more important that
they saved a life, and thoughtful music plays as Jeff walks away
looking, er, thoughtful. Tin-Tin says that he “is worried…and upset,
despite what he says,” more for our benefit than Scott’s I think.
Scott replies, “Of course he is, Tin-Tin, we all are,” then he
voices his suspicions that the rescue “just doesn’t figure” and
wishes he knew “what really happened.”
We’re about to find out. Sinister music reminiscent of Stingray
plays as the camera slides back down the rescue tunnel in a long,
spooky tracking shot that ends up showing us a big hole in the wall
of what looks like a safe room, presumably at the Aeronautical base.
Filing cabinets and drawers marked ‘Top Secret’ have clearly been
ransacked. Something bad happened here.
We pull back to see the same footage now showing on a monitor,
beside which an officious man closes his presentation. This man is
General Lambert, soon to be IR’s potential nemesis. We learn that
the ‘rescue’ was a cover for the theft of some extremely secret
documents, and a man with a hilariously weedy ‘Jeff’ voice asks,
“There is of course no doubt that their plan succeeded?” “None,”
General Lambert assures him, and goes on to say that he is convinced
that “International Rescue faked the whole thing to steal the plans
of the AL4.” The purpose of this meeting, he declares, is to decide
on a course of action which “must see those plans back in our
hands.” The General is not about to give International Rescue the benefit of the
doubt, despite another army man’s protests that he “still can’t
believe International Rescue would pull a stunt like this.” Lambert shows them a map
of all IR’s rescues which, to “their knowledge” have been “pulled
off” and he believes that the rescues were deliberately spaced out
so that their base couldn’t be located. Lambert also brings up IR’s
insistence that they shouldn’t be tracked when they leave rescue
sites. “Quite a plan,” Lambert says smugly, “what fools we were to
go along with it.” The General will not be dissuaded, and even seems
to have something of a vendetta against IR. When questioned, he
easily comes up with reasons why International Rescue would spend a whole heap of
money on the machinery and equipment for the rescues. Apparently,
the AL4 project was a “strategic fighter capable of speeds of
accelerated light” which has cost the country about 25 thousand
million dollars! (Is that even a real number???) Compared to that,
he reasons, IR’s setup “cost peanuts”.
General Lambert now goes on to explain the plan to catch IR. There
isn’t a lot of discussion at this tactical “meeting,” then. Lambert
says they’re going to start a search force “the likes of which the
world has never seen” which will cover every inch of the globe. He
is determined that they will “find those rats”.
What follows is a montage of the hunt for International Rescue,
bolstered by the fabulous ‘March of the Oysters’ theme. Jets, trucks
and aircraft carriers have been sent out all over the place to find
our boys. Even space stations have been roped in to monitor illegal
flights, as we’re now introduced to Space Observatory 3, where two
men are keeping an eye on their area over the South Pacific. One of
them is pleased that they can now track it “if a kid sends up a kite
without permission” and that International Rescue only need to make one move into the
air and they’ll catch them. They gleefully anticipate International
Rescue getting
caught by those searching on the ground, too.
Next we’re given a terrifying shot of World Navy jets buzzing across
Tracy Island and flying low pas the Villa. Eddie Kerr is reporting
on the TV, which the Tracys are watching together at Jeff’s desk.
Kerr is updating viewers with news about the search for the
“traitorous International Rescue gang of crooks ,” which proves he still has no idea
what he’s talking about. Fickle media hound. Virgil is rather hurt
by this comment and repeats it angrily. Scott seems to put a calming
hand on his shoulder and says, “I heard, Virgil.” We see Jeff and
Alan out on the balcony behind them. Next, Kerr is interviewing
General Lambert himself, who blusters, “It’s a pleasure” to Kerr. A
disgusted Gordon spits, “Yeah, I bet it is!” Jeff has now hurried
back to the desk and admonishes Gordon, “That’s enough.” He clearly
wants to hear what the pompous General has to say for himself.
Lambert starts by saying that the search is going according to
schedule, “categorically,” and Kerr asks if he has any idea yet
about just where IR’s “hideout” is. Note that he says “hideout,” not
“base,” there. The tide really has turned against our boys! Lambert
sheepishly admits that they have no idea yet, but goes on to list
“more favourable” places than others, suggesting an island and
isolated areas. Perhaps this gets a bit too close for comfort,
because Jeff then switches the television off, growling that “We
know what’s going on without having to listen to that.” Tin-Tin asks
him what he thinks the chances are of them being found out. Jeff
seems confident that they still won’t be located, even if the island
is searched, reasoning that, “people have been here before,
that’s no problem.” Scott then enquires just what they are
going to do, and Jeff tells him there’s only one thing they can
do, and that’s to find these “imposters.” Jeff also lays out the
hard truth that they cannot operate as International Rescue until
the criminal mess is cleared up. Scott plaintively wonders what will
happen if they get an emergency call. Jeff tells him that they will
“just have to sit tight,” and Alan says, somewhat incredulously,
“You mean, just ignore it?” and Jeff concurs. Alan protests, “People
could be dying somewhere, depending on our help!” and Jeff grimly
reiterates that they are now “powerless to help anybody,” and that
any use of the International Rescue craft will get them all “clapped into jail.”
Scott accepts this, but wants to know what the action will be now.
He must know that Jeff won’t just sit back and do nothing, and he’s
right. Jeff repeats that they need to find the real imposters in
order to “clear our name.” Alan points out that they’ve nothing to
go on, but Jeff tells them that this is where their “agents come in”
and that International Rescue has agents all over the world. You could have fooled me!
Lady Penelope is still the only one to get her picture on the
Tracy’s wall. Now Jeff presses a switch and a big world map descends
from the ceiling, dotted with lots of LED lights representing their
loyal agents. Jeff explains that there will be some urgent
information-gathering going on, and that he’s sending Lady Penelope
over to the “States” to interview some witnesses. Congratulations,
she has been efficiently shoehorned in to this week’s episode!
At Creighton-Ward Mansion, much packing has been going on and Lady
Penelope’s suitcases are spread across the drawing room floor. She’s
in full dotty-rich-lady mode this week, sadly, as she bemoans that
she “couldn’t carry everything that she wanted to, but this is
an emergency.” Parker just sends a real LOOK back at her as starts
to load the cases into FAB 1. When the six-wheeled Rolls leaves,
there’s so much stuff that the car’s boot, or trunk, just won’t
close. I’d like to think there are lots of grenades and cool gadgets
stashed in there, but let’s face it, it’s probably just a lot of
hair products and thongs. Or something. Penelope is even surrounded
by her suitcases in her seat. They soon arrive at London airport and
board a Fireflash by loading FAB 1 directly, and therefore
neatly skipping past baggage control. Maybe Jeff offered to pay the
extra carrying fees? When they get on board the Fireflash,
Parker is extolling the perks of being in First Class, “worth that
bit extra,” as Lady P tries very hard to look like she isn’t with
him. Parker goes on to bitch about the lesser service from “these
young fellas” on the slight, earning a rather terse, “Quite, Parker,
quite” from Penny. Déjà vu strikes as Fireflash takes off,
with recognisable footage used of the plane and its pilots from
“Trapped in the Sky.”
The next time we see Penelope, she has removed her hat to reveal an
Ab Fab beehive, and smokes distractedly from a long cigarette holder
while she muses, “It will be very difficult,” which interrupts
Parker’s magazine reading. He asks her what’s wrong, and Penny just
hopes that one of their agents “somewhere” will find “something” to
help the Tracys.
On cue, we get introduced to the most unlikely agent of all.
Hillbilly banjos introduce us to a ginger-haired, straw-hat wearing
fella who’s huntin’ critters. He shoots and successfully catches
something that looks worryingly like a pet cat, which he judges fit
for “supper.” Take note, his voice is just how a ‘hillbilly Jeff’
would sound. As he packs up his next meal, our new friend spots
something “mighty strange” – there are odd tracks in the mud nearby.
He soon returns home to his shack, where his ‘Maw’ is swinging on
the porch with a shotgun, cheroot and straw hat, taking it easy
while chickens squawk somewhere behind her. His name is Jeremiah,
and when he shows her the fluffy feast he shot, which Maw says
must’ve “sure taken some catchin’.” Jeremiah apologises to her for
being “a mite” late but that he had some business up at “the old
mine” and says that he can’t say more as it’s “kinda between me and
that there Mr Tracy.” He then goes off to report what he saw,
transforming his kitchen – with two kicks to the oven – into a
hi-tech hideout that Stingray’s Agent X20 would give his right fin
for. Jeremiah Tuttle, AKA Agent 47, calls the Tracy house and Alan
picks up the call.
On Tracy Island, Jeff is talking to some army men out on the villa
balcony. They thank him for letting them search the island, and Jeff
tells them, “I hope you find the ones you’re looking for.” They
choose to ignore the double meaning implied there. As they leave,
there’s a small CRASH ZOOM on a worried Jeff. When he gets back
inside, Alan has finished taking Jeremiah’s message. Alan asks if
the search party have left, and Jeff says they have “for now” but he
thinks they’ll “be back.” Incidentally, does this mean John’s going
to be stranded up in Five indefinitely? Hope his water
recycling plant doesn’t have any hitches for the duration. Anyway,
Jeff asks Alan about the message and Alan mentions Agent 47, who
Jeff remembers immediately as “Jeremiah Tuttle…quite a character.”
It’s apparent that Jeff had the concept of International Rescue in mind for a very
long time, as Jeff tells his son that he met Jeremiah while he was
“in the service” and that Jeremiah “kinda guessed” about Jeff’s
plans and what he planned to do. Alan tells him that Jeremiah
reported some odd aircraft tyre tracks, but Jeff thinks this might
just have been a forced landing, and tells Alan to file it away
under “no action”.
Back at the Tuttle shack, Maw is rocking on her chair while she
embroiders and listens to the frogs. Jeremiah still thinks there’s
something up in that “old mine.” I’d go and take a look, Tuttle,
before some crazy English lady tries to steal your thunder! Anyway,
we soon find out that he’s right. The creepy music is back and so is
the long, slow Steadicam glide into the “old mine.” Deep inside it,
there are two International Rescue uniforms hanging up, and we see
the two crooks, with their distinctively evil ‘crook voices,’
gloating about stealing the priceless documents and letting our boys
take the rap for it. The last thing we see is the Top Secret
documents carelessly dropped on the floor nearby. We hate these
guys, right?
Back at Lambert’s Search Control HQ, the General is regrouping and
we learn that the first worldwide hunt has failed. Phew. He refuses
to be put off and announces that the team will just divide the world
map up again and start over! Finding International Rescue is crucial, he claims, for
the “security of the world.” The search also continues up in the
heavens, where Space Observatory 3 and the two men we met before are
worrying over a fault in the satellite. Elliot and Hale have worked
out that this fault goes all the way through the circuit and will
require work from both sides, which means going outside the
satellite to work on the antennae. Hale reluctantly goes to call
General Lambert to tell him the bad news, saying that the quicker he
gets the call over with “the better it’ll be for my ulcers” – the
best line in the episode!
John overhears the call to Search Control as Hale reports they’ll be
unable to monitor the South Pacific for at least three to four
hours. John passes this news over to Jeff, who points out that even
if they did manage to take off undetected, the station would track
the return journey. Sorry, John, he’s not sending Thunderbird
Three up to retrieve you just yet! Jeff asks him to keep
monitoring the situation all the same, and tells him that they’re
ploughing through agents’ reports, hoping for a lead. As he gets
back to this, Jeff muses that “At least we’re not the only ones with
troubles.”
Once he hears that the Space Observatory is out of action, Lambert
cements our already poor opinion of him by calling up the two guys
and yelling at them. Hale and Elliott are just getting ready for
Elliott’s space walk and they’re not thrilled to hear from the mad
General, who demands they fix the fault “in the shortest possible
time, if not sooner!” Er, OK. They tell him that Elliott’s about to
go outside to start repairs. We get another chance to enjoy Barry
Gray’s spooky ‘space music’ as the astronaut makes his way outside.
Hale is anxious about the work and reminds his colleague to use the
tie-ropes and to double-check them, too. As Elliott hooks himself to
an oversized Meccano set, Hale adds that they “don’t want you
drifting off into space,” and announces that he’ll make a start from
inside the satellite. Work is underway.
At the headquarters of World Television, Inc., Lady P is
interviewing the reporter, Eddie Kerr, who no longer feels much love
for International Rescue. He reckons the whole world was outraged by
“those rats” and tells her that “International Rescue is certainly a
dirty word around here!” Actually, it’s two words, nitwit. There’s
hypocrisy here that a five year old could appreciate, and so much
for an impartial media! Penelope crisply thanks him and presses Kerr
for more information about the fake International Rescue craft. He tells her that it
left in a South-South-Westerly direction. She thanks him again, and
he says it was a “real pleasure” and asks her out to lunch. She
politely refuses, saying she must pass this report on to her,
“er…chief.”
The Tracy family gather to hear Penelope’s report. She repeats the
direction that the imposters’ plane took, and Alan instantly reckons
it was a “blind,” but reasons that they “wouldn’t want to go too far
out of their way.” Virgil has listened with interest, and says he
checked the weather reports and “north and east are out.” I wish I
knew what that meant. Scott brings his own specialist guns to the
table, asking Penny to clarify which make of craft the imposters
used, saying that he figures that the “EJ2” isn’t a “long range job.
A thousand miles at the most.” This leads Tin-Tin to conclude that
the imposters “couldn’t have had far to go to their base.” Well,
yeah. Assuming, rightly as it happens, that they didn’t get a lift
somewhere else after stealing plans worth…what was that screwy
figure the General quoted again? 25 thousand million dollars?
Jeff reckons that this new info still isn’t “much to go on” but he
decides that they should focus on a specific area of the map now
they’ve narrowed it down. Scott asks which agent covers that area –
and of course, it’s 47. Jeff immediately recalls the message Alan
had about Tuttle reporting some aircraft tracks – Alan’s squeak of
“Remember?” gets a growled, “Yes, I do…” from Jeff as he thinks for
a second, then tells Penny to get Parker standing by “with the
Rolls” as he has “another mission” for her. Hands up if you think he
HAD to ask her because she was right there when they figured it out?
Aww.
Back at Jeremiah’s shack, the Tuttles are relaxing out on the porch
when a honking noise erupts inside. Maw asks if Jeremiah if that’s
the “emergency call sign” and he says yup, “That’s why ah’m rushin’,
Maw.” Heh. He saunters into the shack and kicks the cooker again.
Jeff Tracy has no time for pleasantries and tells the agent that
there might be something in the report he submitted, and that he’s
sending his “London Agent” to see Tuttle. Jeremiah reckons it’s
“doggone decent” of Jeff to involve him, and his nose doesn’t seem
too out of joint even when Jeff tells him to give Penny “all
the help you can” because she will be investigating the
tracks. Why? Seriously, why? This is what happens when you don’t
attend the office mixers, Jeremiah. Now they have to go and meet
Penny, and Jeremiah asks his Maw to help him get the chickens out of
the truck. Nice. I wonder if the writers were fans of “The Beverly
Hillbillies?” You think?
In marked contrast to the hillbilly shack, which the show often did
so well, in the next scene we’re back up in space where Elliott’s
still hard at work on the broken aerial. This really can’t end well.
Elliott asks Hale how he’s doing – his colleague says there’s at
least two hours work left. Elliot is all done his end, though, and
tells him he’s coming back in. As Elliot closes up his tool kit, he
has a funny turn and jars himself on the safety line. One of his
spanners goes vaulting off into space like the bone at the start of
2001: Space Odyssey. Elliott makes an exasperated noise as the thing
spins into the infinite. It’s already irretrievable. Elliott heads
back to the airlock, unhooking himself from the safety lines. Hale
waits beside the airlock as Elliott gently jet-packs himself in line
with the door. However, now tragedy strikes and something goes
wrong. He presses ‘forward thrust’ but gets blasted away from the
satellite, and spins helplessly off into space, just as lost as the
spanner.
On Earth, Penelope zooms along rugged country roads at full speed in
FAB1. Jeremiah chugs along in the opposite direction, driving an old
jalopy while his Maw complains about his ‘speed’. The hillbilly
music is still hilarious. Up ahead of the Tuttles, a 1960s fop,
driving a sleek red sports car, gloats that now he’s on a clear
stretch of road with “no road hogs” in the way of his “beautiful
wagon” he can really let her rip, and shrieks joyfully, “that’s my
baby.” Cringe. Unfortunately for the fop, Jeremiah has realised he’s
running late for his rendezvous with “Lady Pennalope” (sic) and
apologises to Maw in advance that he’s about to use the “superjet.”
The jalopy goes VROOOOOOM and Maw clings onto her hat! As the fop
exults “This is really living it up!” Jeremiah’s car horn
warns him to get out of the way. The fop can’t believe it as the
rickety old car burns him right off the road.
Penny is nearly at the meeting spot too and she tells Parker they’ll
be going back to Jeremiah’s place to make their plans.
Back at Search Control, General Lambert has absorbed the bad news
about astronaut Elliott. Hale reckons his colleague only has three
hours of oxygen left, and tells the General that he can’t pinpoint
which dot on the scanner is Elliott because of all the meteors. Hale
pleads for a rocket launch to rescue Elliott but Lambert cuts his
request short, snapping that Hale knows how long it would take them
to launch a rocket up to that sector. Hale knows all right, but
can’t resist mentioning the irony, that only International Rescue would have been able
to reach the lost man. Lambert snarls at him to remember what their
operation “is all about.” John is listening in again as the General
asks how long it will take the tracking station to work again. Hale
tells him an hour. The General orders him to get on with it, as
“Elliott gave his life for the success of this detail” and that he
will “make sure it wasn’t in vain.” I’m sure that Elliott would be
thrilled to know that, General.
John has relayed the news to Jeff, and Scott, Virgil and Alan are
all gathered close by in the lounge. Scott is perched on the desk,
appalled that Elliott has “just three hours up there.” Alan is
frantic, “We’re gotta do something!” but Jeff still refuses to “make
a move” unless Penny comes up with something in the next three
hours. Scott sheepishly emphasises that “There’s a man’s life at
stake.” Jeff tries to be logical, pointing out that it’s only one
man and that if they’re discovered and shut down “it could be five
hundred over the next few months.” All the Tracy boys look like
kicked puppies and sad violin music plays over their expressions.
Jeff gruffly tells them to “snap out of it” and says that he feels
like they do and “worse,” but he insists that there’s nothing they
can do. Then he looks at his watch. Time is very short.
We see Elliott spinning away, still lost and without hope. Sniff.
Back at Jeremiah’s shack, there’s an agents meeting going on.
Jeremiah tells Penelope that he figured, as he knows the area, she
would let him handle the investigation. He clearly doesn’t
know we’re dealing with the idiot-incarnation of Penny here. She’s
dressed in a flowery headscarf and a floral dress, and she
half-heartedly apologises to Jeremiah for moving in on his turf,
adding that she wants this one all to herself. This earns her a LOOK
from Maw, especially when she says “Come on, Parker” as if to a
well-trained spaniel. Maw glares after them, and kudos go to the
puppet sculptors here for conveying such a knowing and faintly
disapproving look on her face. I’d also say that Maw is a more
sophisticated creation than poor Grandma Tracy! As the ‘London
Agents’ leave the shack, Jeremiah reckons that they won’t get far
“in that there fancy buggy,” and Maw heartily agrees “they suuuuure
won’t.”
The Tuttles are proved right in about two seconds, as FAB1’s wheels
have become very firmly submerged in the mud. Honestly, six wheels
and no tow rope? No rear-wheel drive? What happened to the anti-oil
slick spikes? Penny elects to walk up to the mine instead, and
Parker leads the way along what might possibly be a path through the
muddy woods. He also seems to be not-quite-accidentally flicking
branches into Penelope’s face as they go, with a very insincere
“sorry Milady.” Soon she’s so pissed off she insists on leading the
way, and we see she’s doing this hike in kitten heels. Argh.
For eff’s sake. This is not her finest hour! It takes less than
another minute for Penelope to tip head first into the mud. Yuck.
Back at the serious end of the story, Hale is still hard at work
inside the space station as Jeff counts down the minutes on his
watch. Elliott has less than two hours to live, and the Tracys are
finding it impossible to bear. Scott’s head is in his hands, and
Virgil is staring off into the middle distance. They’re clearly in
agony about Elliott’s fate and the awful decision they’ve had to
make.
We see Elliott drifting helplessly in outer space, accompanied only
by the eerie space music. He’s weakly counting to himself, calling
for help in the bleak emptiness. He has no chance!
General Lambert learns from Hale that the space station is nearly
operational. At this point, Jeff can’t stand it any longer. He
cracks, and International Rescue can continue to be heroes! He announces, loudly,
confidently, “Alan, Scott, we’re going after him.” Alan continues to
point out the obvious, saying that the search is still on. Jeff is
“well aware” of that. Alan and Scott have already moved to
Thunderbird Three’s launch sofa…unless they were there all along
and fully aware that Jeff would probably change his mind! Virgil is
now standing beside Jeff’s desk. Jeff reckons it’s “just feasible”
that Penny can clear them in time and, if not, “we’ll take
everything as it comes.” Aww. Jeff tells them all that matters is
that only they have any hope of rescuing Elliott, and he knows
they’ve “left it late” but tells the boys to do their best to save
him. The launch heavily reuses footage from the Sun Probe episode,
including Scott and Alan’s continuity-wrecking wardrobe changes. But
never mind, the main thing is that they’ve blasted off to the
rescue!
General Lambert is counting down the minutes, too. A lackey tells
him that Sector 4’s satellite picked up an unidentified rocket
launch but there was no bearing taken. Lambert can’t bring himself
to believe it’s International Rescue, but still orders that they
“keep a close watch” on it. He grumbles that they would have
pinpointed the launch if Space Observatory 3 had been “with us”.
Hale is still hard at work and hears his radar bleeping. We see
Thunderbird Three rocket past the satellite. Scott thinks it’s
time to switch on the tracking equipment, as they’re in the area.
The speed they’re going, it’s a wonder Elliott isn’t already impaled
on the rocket’s nose cone.
Hale speaks to Lambert again, confirming that International Rescue is “going after
Elliott ,” however hard that is to believe. Lambert figures out that
this must be the Sector 4 rocket that launched, and Hale says he
thought they’d seen the last of IR. Lambert blusters that “there’s
nothing to get” and concludes that they have the equipment, and that
someone in International Rescue must have a conscience. He still can’t believe anyone
in International Rescue would risk it. Lambert insists that this gesture “changes
nothing” and that “they’re still wanted criminals.” He orders Hale
to track the International Rescue rocket back to their base. Hale thinks he can start
tracking again in “ten minutes”.
Elliot continues to drift away as Alan and Scott scour the cosmos.
Alan suggests extending the scanning range further. Scott complies,
while pointing out that this will bring up so many rails “we won’t
know which is Elliott.” However, Alan’s hunch pays off and the radar
screen flickers. Alan gets a “rough bearing” from this and steers
Thunderbird Three in for a “closer look.” As Elliott drifts on,
Alan tells Scott to try again. The radar noise sounds more positive.
Scott exclaims, “You were right, Alan!” Alan tells him to try “on
vision” and a little video image pops up, clearly showing a tiny,
worried-looking astronaut out in the blackness of space. One CRASH
ZOOM later, it’s him! Scott exclaims, “What are we waiting for!
Let’s go and get him!”
Back at the mine hideout, the two crooks are discussing a plane due
to come back with their “buyer.” Now wouldn’t that be
interesting to know? Crook number 2 says it’ll take “good American
dollars” to get the secrets and “they can keep their foreign money.”
These guys don’t take no traveller’s cheques! Little do the crooks
know that the crack squad of, er, Penny and Parker are now outside.
I can’t quite believe they made it this far. With her headscarf all
askew, and plastered head to toe in mud, Penelope is still confident
that “we’ve got them surrounded” and prepares to fire a warning
shot. Or, she would have if the gun wasn’t filled with mud, or if
she hadn’t possibly forgotten to load it. We will never know. The
gun clicks uselessly and Penelope begins a monster whinge,
complaining loudly, “Why did I ever come here?” in a way that makes
you want to shake her and slap the writers. Tongue in cheek, yes. In
character? Surely not. And also very annoying.
As Penelope’s whinging gets even louder and more descriptive, “the
mud, it’s everywhere!” the two imposters finally hear her and get
suspicious enough to “get the rifles.” Uh oh. Penny and Parker are
standing right in front of the mine entrance, and Parker begs, “Not
so loud, Milady! If they h’are in there, they’ll ‘ear you!” this
fails to shut her up and she wonders why she didn’t let those
“hillbillies do this?” even as the two heavily armed crooks spot
them and raise their rifles.
Luckily for the hapless London agents, Jeremiah and his Maw have
turned up just in time. They stop a distance behind the pair,
watching just as crook number two decides he’ll “shoot first and ask
questions after.” The moment the crook’s finger tightens on the
trigger, Jeremiah takes “a hand” and fires a couple of shots off
himself.
Penelope and Parker wisely hit yet more of the dirt, and Jeremiah
yells for the crooks to “git on outta there and give yerselves up.”
Penelope is relieved to see Jeremiah, although her comment “we
thought someone was firing at us” suggest she hasn’t quite grasped
the situation. The two crooks are worried, “they got us hemmed in,”
says one, while the other ironically apes IR’s catchphrase, “we
don’t give up that easy.” He raises his gun again and yells for
Jeremiah to come and get them. Penny supposes that they’re going to
“make a fight of it” and Jeremiah reckons so, too. He asks Maw to
hand him a can of her beans. Penelope is appalled, “but this is no
time to eat!” Don’t worry Penny, Jeremiah actually has a plan here.
Although I’m sure they taste great in a possum stew, Maw’s beans
also come in handy as explosive rounds. Jeremiah tosses two cans
into the mine and the explosion almost buries the two crooks. The
imposters finally give up and come out coughing for air. Yay!
General Lambert is now brown-nosing on the phone, saying, “Yes sir,
very good, sir” as we learn that the search has been fully cancelled
under orders direct from the White House. International Rescue have
been cleared and they are to be given all cooperation. This is not
such good news for Hale up in Space Observatory 3. When Lambert
radios him, Hale is pleased to confirm that the station is good to
begin tracking again. Lambert cements his douchebag status by
snapping, “You’ll do nothing of the sort!” and tells him that
“International Rescue are cleared, switch off your equipment.” Hale
mutters, “Yes, sir” and hopefully goes off to polish his CV. There’s
just no pleasing some mini-tyrants.
Thunderbird Three is rocketing back with its rescued
astronaut onboard. I think they’re dropping him back at the
Observatory satellite, and as Alan says goodbye, Elliott just can’t
stop thanking them and adds, “It’s just great that you guys have
been cleared.” Scott manages to say, “You can say that again”
without moving his lip, and I kind of like to think of these words
as being inside his head, if you want to pretend that was another
deliberate mistake. Alan agrees that “That call from base sure
cleared up a lot of worries.” Elliott thinks no one is better
qualified than him to say how great it is that International Rescue are “back in
business ,” and on this triumphant note, Thunderbird Three
begins to dock with the tracking satellite, International Rescue having reclaimed the
moral high ground, and their good name.
I think the lesson we can take from this episode really is – don’t
trust appearances, and especially don’t trust first impressions or
leap to conclusions. Everything in that general area of
non-judgement, basically. Also, the military’s blunderbuss approach
to the manhunt seemed to entirely skip the more subtle, logical
approach that International Rescue took. One major plot hole that
stands out to me today — did no one on the team hunting for
International Rescue think
to look at the newspaper photo of the faker? Or ask Eddie Kerr the
questions that Penny did? The two imposters weren’t all that hard to
find, even if it helps to have a usefully placed pet hillbilly
working on your side. It would have been great to find out who was
about to buy the plans, too, as there’s more depth here, lurking
just out of reach. Oh, and the bad guys were a little overconfident
and lazy, don’t you think? They hardly went any distance from the
site of their deed, plus they seem a little stupid to have pulled
off something of this magnitude without expert help. Blind luck
then, perhaps, but still a worthy piece of deduction from the real
International Rescue team. The story is still well-paced and interesting, with a
brilliant collision of old and new tech and some decently drawn
characters backing this up.
This is one of the strongest episodes so far, and the characters
were a real joy to meet. Apart from the wonderful Jeremiah Tuttle
and his Maw, General Lambert is a nasty example of institutional
thinking gone utterly insane. He’s an even better villain than the
Hood, really, as he upsets and bullies everyone around him without
questioning his own orders for a second. Elliott and Hale are
solidly drawn, too, feeling like real put-upon working spacemen. I
particularly like that Jeff Tracy gets to break his own rule here
simply because that’s what the Tracy guys do – anything they have
to, to save a life. Apart from Penelope’s disappointingly ridiculous
antics, I’d give this a solid rating, declaring it not to be missed,
and in fact, this whole concept would be a strong basis for a decent
second movie – if they ever did a decent first one.