More intrigue, bombs and lazy spies than you can shake
a stick at conspire to make this a fairly standard ‘Lady P
in Peril’ episode. Riding the crest of a Bond mania wave
as it was, this isn’t by any means my favourite episode,
although it is saved by the seedy Riviera scenery and by
Barry Gray doing his best to out-do John Barry. I also
quite like how it seems to be midnight with a full moon
ALL the time.
We open with the excellent music I just mentioned. On
a moonlit night on the French Riviera, a sinister frogman
sneaks aboard a sleek yacht, gets to an office where a
man, obviously the captain, is innocently reading. At
the peak of the music, the frogman coldly shoots the
captain several times and he and his chair fall over,
extremely dead. In fact, at least two of those bullets
must wind up getting lodged in the chair itself, since
the frogman keeps firing even though the chair back
and seat are pretty quickly blocking the line of fire. The
music comes to a respectful stop. Now the evil frogman
ransacks the captain’s desk, hissing, “Where are those
plans?” as he does. After finding bundles of cutlery, and
a surprisingly large amount of doilies, he unscrews a
flashlight and uncovers what must be the plans inside
it, rolled up in a yellow and red tube. The minute he
does, the music gets curiously upbeat and the spy game
is back on. The frogman leaves the yacht, only pausing
in his escape to stick a bomb on the side of the boat.
Seconds later another yacht pulls up. A chap with a posh
accent spots the yacht the frogman just attacked and
tells his captain, Tidman, to “move in” next to it. As
they get close, EXPLOSION! The first yacht sinks rapidly
after blowing up no less than five times! The captain of
the new yacht asks the posh chap beside him, “Why?”
and we learn that his pal’s name is – drum roll please –
‘Bondson’. Very subtle homage there, can you hear the
slow clap? Anyway, Mr Bondson admits he has no idea
why the other yacht exploded. Tidman wonders if it
could be the fuel tanks as “she was petrol driven,” while
Bondson worries that there’s no sign of “Blacker”, the
yacht’s ex-captain, and elects to head down for a look
at what’s left of the yacht in case the man is trapped.
We all know that the poor guy has already met a nastier
end, of course.
As Blacker’s yacht finishes its descent, the title card
comes up and the music is back in full swing. Tidman
tells Bondson he’ll need to work fast before “local
police” arrive. Bondson crisply orders him to fob them
off with “just enough” information to keep them happy,
as he doesn’t want the wreck touched yet. Tidman
wishes him luck and Bondson dives in. More very cool
jazz follows. The wreck is in a bad state, though, and
Bondson soon finds Blacker in the cabin and reports,
“He’s dead”. He can also tell that the poor guy has been
shot five times by an unusual type of gun, of which there
“can’t be more than a dozen” in this part of the world.
A few things about this moment. I find it remarkable
that the bad guys failed to cover their tracks at all, as
despite the yacht blowing up around five times, there’s
still more than enough evidence left over for Bondson
to get some useful evidence – which he recognizes even
without the help of a ballistics report! Talented chap,
this.
After hoping that the rare bullets will help them track
down the murderer, Bondson leaves Blacker’s corpse
and tries to locate the papers. He finds the flashlight
they were hidden in but, as we already know, the papers
have been taken. Bondson concludes, “That explosion
was no accident!” and as in “30 Minutes After Noon,”
you can tell that MI-5 only hire the very brainiest agents
to solve these world-threatening mysteries.
The water of the Riviera becomes the sunnier and
warmer surface of the Tracy family’s pool, and before
you can say ‘Isn’t that the Hood’s submarine?’ it’s clear
we’re on Tracy Island, and Brains is playing with a remote
control sub that messes with my sense of puppet scale.
A chilled-out Jeff Tracy gently warns Brains to hurry up,
as “Alan will be out for his swim, soon” (love the way he
says that, Jeff almost whistles there). Brains agrees that
Alan’s presence in the pool would upset the “sonic
beam” and tries out the submerge function. As he does,
Alan arrives – alert for shirtless Tracy, guys and girls –
and drops his towel. We hear a splash that probably looks
like that Hockney painting. Alan’s head and torso bob
up from the pool’s surface. I guess he’s totalled Brains’
new toy. He apologises, “Guess I didn’t realise you were
working”. Brains says it’s OK, while sounding like he’s
about to cry, and Tin-Tin sympathetically notes “He’s
upset”. Oh, Alan, you’re a monster – a monster!
Before Brains can drop anything else electrical into the
pool and deprive Thunderbird 3 of a pilot, we’re saved
by a beeping noise and Jeff tells them all to hold on. It’s
John calling. The starbound Tracy reports they’ve been
contacted by “a guy named Bondson” and that it’s “kind
of unusual”. He adds that Bondson has something to do
with the British Secret Service, which prompts Jeff to
snap a reminder that the BSS has “its own operators and
methods” and that IR won’t be getting involved. He has a
point, but Bondson is so keen to get IR to do the job that
he’s told John that if they don’t help, “the whole world
could be destroyed”. Hmm. This persuades Jeff, as he
exclaims, “That’s quite a statement,” and asks John to
get Bondson’s contact details and to tell the (lazy) agent
that IR will be sending one of their agents to meet him.
I’m not bothering to take any bets on who that might be!
The next thing we see is a Fireflash – ten episodes
without a crash and counting – speeding through the air.
Personally, it seems like overkill to take a Fireflash for a
hop from the UK to the South of France. Maybe Jeff was
paying air fare again. Penelope is in First Class, of course,
and wearing her really big orange hat from her title card
in the regular Thunderbirds opening sequence. There’s
also no sign of Parker, so depending on broadcast order
this may mean that she’s learned from the ear-bending
she got last time (in “30 Minutes…”). She listens quietly
to an announcement requesting that passengers
extinguish their cigarettes before landing. Awww, at
least there were no mobile phones to put Fireflash in
danger yet. The Fireflash touches down without crashing
(yay!) and Lady P meets up with Parker. It turns out that
she sent him ahead with her yacht, which is parked off
the coast out of sight. I’m wondering how she survived
without him, and for how long, as it would involve her
getting to the airport without murdering any foreign
agents on the way, not to mention having to figure out
how to handle her own luggage. After this, Penelope
goes off to make an important telecall.
Lazy agent Bondson is sound asleep in his hotel room
when his video-phone starts ringing, making rather a
squelchy noise. It flicks on to ‘sound only selected’ (AKA
the ‘just got out of the shower’ setting) and we hear
Penelope putting on a sexy French accent. She orders
Bondson to drive to the Forest of Digne at midnight, to
stop at a clearing “3 kilometres from the perimeter” and
then he’s to wait there. He asks with a briskness that
could well be nerves, “How will I know you?” and she
replies smoothly, “You never will, Mr Bondson” and – for
laughs, I feel – she tells him to repeat his instructions.
Before he does, he asks her how he knows he can trust
her, and she coolly reminds him that he doesn’t know.
She also reiterates that he contacted them, and offers
to forget the whole thing if he dislikes the arrangement.
Terrified by the prospect of actually having to do his
own legwork, Bondson agrees to the risky meeting, and
covers this by saying how in his job “you have to be
careful”. She says she does, too, and makes him repeat
the rendezvous instructions.
The meeting really is in a lonely spot, where it’s a still a
full moon. Just before midnight, Bondson is sitting
impatiently in his car, being hunted by a curious livefootage
owl. It’s not even fully midnight yet, but he’s so
impatient he starts up the car. A gun appears from
behind, aimed at his neck. It’s Penelope, and still using
her sexy foreign accent she tuts, “We are impatient.”
After ordering him to switch off the car engine, she
warns that if he moves a muscle she will “blow off your
head”. I bet Bondson thought IR’s agents were going to
be a pushover. But I feel she totally would blow his head
off, the maniac. She warns him not to turn his head and
tells him to explain why he needs International Rescue’s
help.
Bondson tells her a British agent collected plans for a
nuclear device and they fell into the “wrong hands”. He
can’t go into detail about that. He then explains that, as
we know, the rendezvous didn’t work and that when he
went to meet his contact the man had been killed, and
that he had died before the yacht exploded. He tells
Penny the make of the gun that was used – “not a very
common weapon,” she comments (they obviously
subscribe to the same gun enthusiast magazines). She
then reminds him that it is not IR’s “policy” to get
involved with “politics or police work” but Bondson
frantically insists that they must help as IR has “the most
advanced equipment in the world” and that “millions of
lives depend…” he gets overexcited on this last line and
nearly turns around. Penny warns him to keep his head,
as he “won’t,” if he moves again. Bondson apologises
and then begs her to hurry and find the plans. Penelope
announces that she’s leaving now and he is to “do
nothing, say nothing” and she will contact him. She adds
that he must remain as he is for ten minutes, and then
she returns to her car.
As she leaves and opens the car door, Bondson can’t
resist a peek. A burst of gunfire explodes beside him.
Parker’s matter-of-fact voice booms, “The lady said
don’t move,” and we see FAB 1’s machine gun retreat
back into the car’s grille. They briefly blind Bondson with
full-beam headlights, and then zoom off into the night.
As they drive away, Penelope asks Parker to head for
her yacht, and compliments him on his “excellent
shooting”.
Back on la Riviera, Penny is on her yacht in full naval
getup while Parker brings her some tea. She instructs
him that when they “drop anchor” he’s to go ashore and
spread the word to local newspapers that “Gayle
Williams, the leading fashion model” has arrived on her
yacht and will be exposing the murderers who blew up
the yacht yesterday. Parker enquires who this “Gayle
Williams is” (although I suspect he might already have a
fair idea). Penny explains that it is, of course, her. The
stupidity of her entire plan aside, it seems that Parker
will now be lying to the most gullible and ill-informed
reporters on the planet. If you’re a “leading” fashion
model, doesn’t it help if someone’s heard of you? Is she
stealing the identity of some other, Kate Moss-type
model here? Penny-logic prevails, I’m afraid.
At least the cool music make a comeback, as the bad guy
from the start of the episode is chilling out on a sunny
deck, reading the paper in jumper and jeans. The
headline shows that the newspapers really have
swallowed Penny’s little cover story, and report that she
is a model who will bring down the murderers! Odd
choice of pursuit for a fashion model, we think, but the
bad guy seems to fall for it and growls, “So she’s gonna
track us down, is she?” He goes a little Scottish here,
and mutters “We’ll see about that”. Uh oh. He drives his
little boat past the huge pleasure yachts and out to a set
of boathouses along the coast. There’s a lovely, creaky,
watery atmosphere as he pulls in. Once anchored, he
dons his frogman outfit and dives down to the clearly
evil red submarine parked on the sea bed.
Inside the sub, we see two men are playing cards and
bitching, as the bad guys in TB tend to do, about all the
waiting around. It’s very clear that they’re baddies – just
check out their accents and facial hair! Their
conversation reveals that since the rather ineffective
blowing up of Blacker’s yacht, the “authorities” have the
area “bottled up” and now they can’t avoid the “patrol
boats”. They’re both relying on Carl, the erstwhile
frogman, to figure out a way to get them clear – with the
plans. This is just when he turns up. He chucks the
newspaper into the middle of their game and explains
what the headline means. One of them is unimpressed
that this “model” will be tracking them down, which is
the kind of response you’d actually expect. Carl,
however, is more convinced by the details she seems to
have about the theft of the plans, “how many shots were
fired, stuff like that” and at this they exclaim, “This is
serious!” Carl tells them that what they’re going to do to
her is “serious”, too. She’s “going to die!” and I agree,
that’s pretty serious indeed. Dramatic moment!
It ’s nighttime, and on her yacht (called FAB 2,
incidentally), Penelope is having a very pink moment in
front of the gigantic mirror in her bedroom. When Parker
enters she instructs him to take the evening off, as she’s
“expecting a visitor soon”. Parker is rather alarmed, asks
if that’s “wise,” following the newspaper story. Penelope
just repeats more firmly that he is “excused” and that
he’s to “go ashore” and enjoy himself. Parker needs very
little persuading here, as he realises how profitable a
night in nearby Monte Carlo could be for him. Don’t
gamble, kids. Lady P is just pleased that her order is
“settled” and tells him once more to enjoy himself. As
Parker goes to get ready, she gives Jeff a call.
Penelope reports to a concerned Jeff that, if her
“arrangements” go as expected, then the plans should
“be in our hands” by midnight. Jeff probes for
information about her “arrangements” and asks if it’s
going to be “dangerous”. I’m not sure what sort of mission
he actually thinks she’s on. Penelope coolly tells him
not to worry and to wait for her call, promising him that
she’ll be “perfectly all right”. Riiiiight.
As Penelope hangs up with Jeff, Parker passes by her
room on his way to party in Monte Carlo. He’s wearing
the ‘evil purposes only’ grey raincoat and he’s walking
with a definite spring in his stripy steps, sounding smug
and vaguely inebriated as he crosses the deck. He’s
singing something about the “bank in Monte Carlo”.
Hmm. He wishes Penelope good evening and she hauls
him up on the briefcase he’s brought with him. He insists
it’s for his winnings and shakes it to prove his innocence.
He needs a better briefcase, as this one flies open,
revealing a pile of equipment that will certainly
guarantee he gets some cash this evening. Parker
mumbles, “I wonder ‘ow they got in there?” Penelope
looks rather amused, as if breaking and entering is
hilarious. Her tone of voice shames him gently into
leaving his burglar kit at home. As Parker leaves in the
boat, he wonders how she expects him to keep his
“hand” in and elects to go to the casinos after all. Don’t
gamble, kids!
On FAB 2, Penelope decides that everything is now ready
for her “guest”. As she hears a boat pull up, she realises
that the “fish has taken the bait” sooner than she
expected. We see that Carl is on-board! As he peers
around the doors there’s a CRASH ZOOM and Penelope
sees him. She welcomes him and he sounds a little
surprised until he spots the huge mirror. He wastes no
time in threatening her with the gun, and tells her they
are “going for a little boat ride”. She comments that this
will be “nice” and that she’ll join him “in a moment”. He
shows her what he thinks of this by shooting at the mirror
and chipping a large chunk out of it. Penny looks at the
mess and hopes that he isn’t superstitious. Carl snaps at
her to “move and cut the chatter.” Penelope keeps up
the tough-girl airhead act by asking if he’ll take her arm.
So, her whole plan – her ENTIRE plan – relied on the
murderer showing up that night and kidnapping her?
Oh, gawd.
At the boat house out on the coast, Penelope muses
that “One just wouldn’t know where one was, would
one?” Heh. I admit her airhead observations get pretty
funny against Carl’s general bad-guy grumpiness. Once
the boat is stashed in the bay, he threatens her with a
gun, and a bomb. He snaps that the “pleasure cruise” is
over and that his “little box of tricks” will soon blow her
“sky high”. Penny’s response: “How interesting” – which
might suggest she’s pretty high already. She asks how
the bomb works. Carl explains how, when she blows up,
they’re in the clear (eh?). She says, “fascinating,” and
wonders aloud that her waiting for it to happen is a
“morbid pleasure” for him. He refutes this, as the delay
is “all part of the plan” to mislead the patrol boat, which
would otherwise catch him and his gang on the move.
The patrol boat will be in the bay in ninety minutes.
When it does, they’ll blow up Penelope and escape
through all the chaos. Simple. Now Carl starts
brandishing some long pieces of white rope.
A hilarious exchange follows where Penelope asks Carl
if he’s going to tie her up. He growls, “You bet I am,” and
she responds, “Oh I don’t mind, really…” The atmosphere
has turned all Avengers. She has a final request before
she dies – to “fix” her face using her powder compact.
Carl is highly amused, “You dames slay me!” but he
acquiesces to the request, and tells her to go ahead, “I
got time”. Yes, it was the 1960s. What he doesn’t know is
that this is all part of Lady P’s highly questionable plan.
She takes the opportunity to contact Jeff Tracy on her
compact radio (which functions like the Tracy boys’
video-watches, only in girly form). I’m a bit worried that
her plan hinges entirely on the bad guy letting her do
this. And then, instead of, perhaps, repeating everything
she’s just heard so that the Tracys know how to help her,
Penelope takes ages to perform an elaborate code
sequence with her powder applicator to get a garbled
message across to her rescuers.
In the Tracy lounge, Scott, Gordon and Virgil are watching
this performance with some consternation. Her actions
spell out this twitter-length message: “Held captive.
Boathouse. Submarine. Must stop it. The bay next to
yacht. Bomb!” and she only gets that far before an
impatient Carl knocks it from her hand and snaps,
“you’ve prettied yourself up enough” and starts to tie
her securely to the chair. As he threatens her to “quit
gabbing” or he’ll gag her, Penelope gives her dropped
compact an anxious glance. I guess Parker would have
been handy as backup right about now?
The Tracys are puzzling over Penny’s situation, having
been left with a single image from the compact’s
viewpoint on the floor. “What the heck could have
happened, Father?” Scott exclaims. Jeff doesn’t know,
and Virgil figures out that the camera is pointing at a
“control panel”. Can I just note how very tanned they all
appear in this episode? Jeff guesses that the control
panel could be on the boat, following Penny’s description
of a “boat house” (slow clap). Scott reminds them that
she was telling them “something about a bomb”. Yes,
we get it, things are serious! Jeff figures that as the
picture is working on the compact, the sound probably
is too, and he turns up the audio.
We hear danger music – with the compact sitting at
Penny’s feet, she’s actually obeying Carl’s order to keep
her mouth shut. The silence unnerves Jeff, and Scott
suggests that they contact her. Jeff is worried that the
wrong person might get the message, so Scott wisely
suggests they use a “code signal”. Genius! Jeff concurs
and Code 5 is used, which is basically a scratchy sort of
Morse code. Penny hears this, but so does Carl. She
moves enough that the sound warns them and Scott tells
Jeff to “hold it”. Carl wonders what the scratching noise
was, and Penelope distracts him with a neat insult about
rats being his only friends. He snaps, “Are you being
funny?” but Penelope merely says, “no” and asks if he
thinks the rats will leave before the bomb explodes, or
“go up with it too”.
Penelope’s welcome bout of exposition horrifies the
Tracys. “So now we know…what a situation!” Scott
exclaims, apparently not aware of the even worse
situation currently being created by his hideous ochre
and dark brown tank top outfit. Jeff says it’s not too late,
and both he and Gordon think they have some time left,
as “one of the murderers” is still aboard and will probably
need some time to get clear of the explosion. Jeff sends
Scott out to Penny’s location, swiftly followed by Gordon
and Virgil with Thunderbird Four. Jeff adds that with
Penny in trouble, their machines will need to “move
faster than they’ve ever done before!”
Back at the boathouse, Carl is dragging Penelope even
further away from the compact and tells her “This is it”.
He sets the bomb on a desk beside her – apparently
deciding that the use of very rare guns is not the best
way to stay undetected by international spies or, er,
curious fashion models. She snipes that she’s sorry he’s
going, just as she was “beginning to enjoy” his company.
He curtly tells her “So long” and informs her that she has
“about an hour left”. Gulp. Will International Rescue
reach her in time? CRASH ZOOM on the bomb!
Back on the island, Thunderbirds One and Two blast off
efficiently, with almost no launch sequence at all,
although Virgil only takes off after asking Gordon if he’s
“All set?” Aww. Jeff is still staring at the video image
from the compact, still only showing the boat’s control
panel. Tin-Tin brings him coffee right on time, and Jeff
muses that he thinks the waiting is “always the worst
part” of these operations. Apart from actually being in
danger of getting blown up, obviously. Tin-Tin mentions
that she saw Virgil and Gordon fly off, which doesn’t
seem to help – and is kind of stating the obvious,
considering how much noise Thunderbird Two must have
made. Jeff wishes he knew more clearly what they were
going to find when they got out there. Penny really hasn’t
told them enough.
On the boat, beside the bomb, Penelope is trying to shout
the information to Jeff, but she does it in such a ladylike
way that all he can make out is a muffled voice in the
distance. He tells her that “The boys are on their way to
you” and asks if she can get any nearer to the compact
microphone. Penelope tries to tell him about the bomb
in the bay, but he still can’t make out what she’s saying.
Note to Brains: change your microphone parts supplier!
Penny finally does something sensible and starts to
shuffle-rock herself along in the chair. Apparently Brains
could take pointers from these guys about where to buy
rope, too…these don’t seem to be the breakaway kind
that IR usually uses on missions… The noise that Penny
makes with the chair startles Tin-Tin. Jeff wonders if it’s
Penny trying to tell them something, and hopes that the
“compact transmitter” can “stand up to the treatment”
(see previous comment about the parts supplier!) At
this point, Brains (did he hear us heaping scorn upon his
handiwork?) reappears from wherever he was hiding (I
suspect it has something to do with holding Alan’s head
underwater for an ‘experiment’) and he thinks that the
transistors should hold up, as they are small but very
sturdy. It’s all on Penny now.
Underwater, at the evil red sub, Carl has arrived to
update his henchmen on the situation. Everything is now
“fixed” and he comments that the “dame” could “really
talk” and she was “a cool one!” and now they will just
wait there and count the seconds until the patrol boat
will cross the bay. In just forty minutes, “the boat house,
the boat and that dame go sky high”. Dramatic music!
Thunderbird One is rocketing towards the scene, and
Scott asks his dad for more information. For now, there
isn’t any. Jeff thinks that Penny’s trying to contact them
but that she can’t get near enough for them to hear. Her
muffled voice comes across faintly and Jeff tells her
again she’s still “too far off the mike” and that Scott is on
the way. She tries to tell Jeff to “get Scott to trace the
submarine”. Wow, Parker really would be useful about
now…but Jeff still can’t hear a word and suggests she
gets closer. Penelope sighs at this “most strenuous”
suggestion and tries again to bunny-hop the chair
forwards. She gets up pretty close to the compact and
declares it’s “now or never”. She rocks the chair from
side to side, and tips over sideways, landing so her face
is perfectly in front of the little video camera. Finally!
A startled Jeff asks if she’s ok, but Penny cuts right to
telling him about the “killers” who are “hiding in their
sub” although she doesn’t know exactly where that is;
she adds that the bad guys will detonate the bomb once
the patrol boat is in the bay at 10 o’clock, and then they’ll
“slip away with Bondson’s plans”. And incidentally, what
the heck is Bondson doing while Penny’s out risking her
life? Partying with Parker at the casino? Wiretapping
random celebrities? What? Now Jeff tells her he’ll get
Scott to prepare the sonar equipment and assures her
Scott will soon find them “wherever they are”. More
dramatic music ends with a shot of the lurking red sub.
The coolest jazz shows up TB1 swooping across the
moonlit Riviera. Scott has arrived, but it’s already
9.40pm. Jeff instructs him to begin the “sonar sounds”
and Scott opens a hatch that releases a rocket-shaped
device, which dips below sea level. Scott crisply reports
that the reading is “negative” and that he’ll keep
searching the zone “in widening circles” but he’s worried
that this will “take time” and he hopes that they have
enough. I know they don’t have time to find the sub
before rescuing Penny, but it still comes across as a little
wimpish that he doesn’t go down to save her first. Last
time I’ll say it, but, perhaps Parker would have been
useful about now? Scott checks Virgil’s ETA – Virg says
20 minutes. Scott requests they “try to make it sooner”
and continues his scanning.
Back in the boat house of certain death, Jeff tells Penny
that Scott is trying to find the sub and that Virgil and
Gordon are fifteen minutes away, and he assures her
she shouldn’t worry, they’ll get her out of there! It’s still
cutting it fine, and they cut back and forth between
Scott’s search and the sub lurking underwater. Inside
the sub, the evil gang are anticipating the bomb solving
all their problems, and on their timer there’s just ten
minutes to go! One of them is afraid that the patrol boat
won’t investigate the explosion, but Carl is very
confident that the “dumb cops” won’t be able to resist
it, and reminds them that he’s “always right”.
Scott is into deep frown mode, as there are still no results
and time is very short. Then, finally, a smaller, steady
beep signifies he’s found his target. He exclaims, “She’s
down there!” Jeff rather needlessly tells him to tell Virg,
and adds there’s just seven minutes left. Scott directs
the TB2 crew as accurately as he can to the sub’s position.
Virgil gently drops the Pod into the water and soon
Thunderbird Four is launching in the area – we get an
unusual view of its setting out starting from within the
Pod itself. There are just five minutes to go! Gordon zips
along under the water, also scanning, and he finds the
sub within 400 yards of him. Scott snaps that the sub
must be paralysed “but quick!” because the patrol boat,
which has apparently synchronised its schedule with all
the parties involved in this threat/rescue, will be there
in four minutes! Already we see it’s crossing the Riviera
and heading for the bay. Carl is gloating that there’s just
three minutes to go.
Thunderbird Four takes its sweet time getting to the sub,
and finally Gordon announces “firing paralyser now!”
Well, Scott likes to be kept up to date. What Gordon
fires is essentially a big trident on the end of a long piece
of wire. It sticks into the hull of the sub, alarming the
crooks within, and the middle prong of the trident
immediately begins to drill into its target. Time is
shrinking; the patrol boat is nearly there! Carl is counting
down now – 30 seconds, then Scott sounds 25, and then
the drill enters the sub’s cabin and Gordon blasts the
bad guys with tranquiliser gas. Carl and the others
struggle to set off the bomb – not the most sensible
thing to do, considering they’re already busted and
adding another murder to the rap sheet won’t exactly
help – and then all the crooks collapse like dominoes.
As the patrol boat enters the bay, Scott reports that
Gordon must have succeeded as “nothing’s happened,”
and we see the bomb itself, flashing above a prone
Penny, both of which are still fully intact. Jeff hopes that
Penny’s OK – although he should know, since she was
talking to him the whole time! But Scott reckons he can
tell Jeff if she is, “in a minute or two”. He lands TB1 near
the boathouse while Gordon swims up to the red sub.
Now we see Scott snuggled up on the sofa beside Penny,
asking if she’s “sure” she’s all right as she really “took a
chance”. Penny tells him that “that’s what keeps life
interesting…the uncertainty,” and she hopes that Gordon
can find the plans all right. Scott nods.
Gordon gets into the submarine where the three crooks
are still passed out all over the cabin. He collects the
distinctive red and yellow tube containing Bondson’s
plans, musing that “this is what we’ve come to rescue,”
and figuring that it’s still “intact”. He adds that now
Penny can “put Mr Bondson’s mind at rest”.
We’re back in the moonlit clearing, where Bondson is
waiting again for Penny. He seems to have learned from
last time and is standing beside his car while he waits
for Penny to arrive, smoking a cigarette. This time Penny
orders him via loudspeaker to walk to a large tree and to
keep staring straight ahead. Bondson obeys and soon
finds the plans wedged in a tree fork. She tells him to
return to his car and to be “very careful”. Does he really
believe an IR agent would murder him? He soon goes
back to his car and sits behind the wheel. Penelope warns
him again not to move, as he knows what will happen.
He gruffly thanks her (for doing all the work) on behalf
of his chiefs – and she accepts, and warns that any
attempt to trace her or her organisation will meet
“severe opposition”. Now she hurries back to FAB 1 and
they blind Bondson once more with the headlights as
they speed away. Parker enquires, “ ‘ome, milady?” and
she concurs, pausing to enquire how he did at the casino.
He confesses that he lost. Penny makes a sympathetic
noise and asks “how much?” and then forces him to tell
her. Apparently it’s not so much how much as what he
lost. Now Penny really, really wants to know. He
confesses he got rather “carried away” and thought he
“had a system” and now Penny sternly demands to know
what got lost at the casino. He finally admits that it was
“your yacht, milady”.
A stunned Penelope sits back, looking about as appalled
and speechless as you’d expect, whilst being brilliantly
understated about the whole thing. At least until the
scene finishes.
This last bit of Lois Laneish, getting-into-trouble-ONPURPOSE
shtick is what really puts me off about this
episode. And it isn’t just Penny. First, Secret Agent
Bondson, unfathomably for a man in his profession,
needs IR’s help, then IR’s superagent Lady P willingly
becomes bait, apparently without telling either her
chauffeur/partner in crime OR International Rescue
themselves what she is up to…and all so that IR can
actually sort of get the job done and ‘save the world’
from a rather oblique nuclear MacGuffin threat. So
basically all the secret agents in this story really suck at
what they do, almost making Maxwell Smart of Get Smart
seem like Harry Palmer from Len Deighton’s 1960s spy
novels in comparison. Coming back to this episode after
quite a while, I feel that this was not the strongest of
episodes on the rewatch, and contains far too much
Penelope anyway. As a spy romp it hangs together fairly
well and is still a wonderful vehicle for the Bond-esque
music and constantly moonlit secret rendezvous. I think
the biggest problem is how shoehorned-in the use of IR
feels here, and it’s too gimmicky. Overall, not enough
Tracys or machinery in the mix.